Saturday, December 01, 2007

Nouvelle Tsunami

I wrote a comment in the previous posting and decided it deserved to be reworked into its own blog entry.

I, and many others, have mentioned the increased involvement of foreign filmmakers and writers in Japanese films as of late. There have been many one-off ventures, big and small: Lost In Translation, The Last Samurai, Letters From Iwo Jima to name some recent examples.

There are foreign writers with scripts being helmed by Japanese directors: Eric Heisserer's based-on-a-true-story homicide script Inhuman is to be directed by Nakata Hideo and Max Mannix's Tokyo Sonata (see HAF project profile) is getting the deluxe Kurosawa Kiyoshi treatment, going before cameras this week (hope to report on that soon).

As you know, there are also a select few directors like John Williams (who runs his own production company 100 Meter Films) and Michael Arias who are longtime residents making films in Japanese. All three categories look to expand.

Within that, Nouvelle Tsunami refers to the growing wave of French directors who are coming over to make movies. The cultural bonds between France and Japan obviously run very deep, especially through fashion (Louis Vuitton, anyone?), cinema and manga.

Here are some of the latest projects:

Three-segment omnibus film Tokyo! (see Twitch article and Japanese official site) features two segments by French directors Michel Gondry and Leos Carax, in addition to star Korean director Bong Joon-ho. Carax's just wrapped shooting -- look for Tom Mes as an extra (production company Bitters End put out calls for bodies for all three shorts).


Regular reader Aceface mentioned that veteran French director Barbet Schroeder (born in Tehran?) is in pre-production on an adaptation of Edogawa Rampo's "Blind Beast," with location work here in Japan. It'll be hard to top Masumura's version, but he's welcome to try. Edit: Tokyograph informs us it's actually Rampo's "Injû" / 『陰獣』 not "Môjû" / 『盲獣』 that Schroeder is making. There's some interesting facts about it in this October interview. Aceface provides recent Japanese link here. It will star Harada Kana (原田佳奈) from Babel, who's a rare case of an actress telling directors at home and abroad to cast her. Looks like it worked.

Then there's Japanophile Jean-Pierre Limosin's Young Yakuza (see here) documentary. I know there are some reviews out there, but has anybody seen this?

French filmmaker Yves Montmayeur told me he's going to shoot a documentary on the history of yakuza movies. His previous topics include Christopher Doyle, Korean cinema and Miike.

Finally, l'enfant terrible of French cinema Gaspar Noé (born in Argentina)is now shooting his long gestating project Enter the Void. The project started life in the late 90s and is finally before cameras in Tokyo. I found a translation of a blurb that appeared in the French ed. Premiere magazine: "After 5 years away from the screen, Gaspar Noé the director of Irreversible is awaited at the beginning of September in Japan to shoot Enter the Void. For the moment, the plot is still confused: it is known that it will be a very freely adaption of "The Tibetan Book of the Dead" and that it will be focused on drugs trafficking. Noé considers the film "really psychedelic, beyond reality - like Ken Russell- and "Jacob's Ladder". The team and the production are ready, but there's a continuous problem: the casting is still not defined!" There is also a French-language site with a dedicated news page for the film.

Anything I'm missing? Let us know.

À votre santé!

8 comments:

logboy said...

as for current or recent things, i dunno... there was someone recently at KFC trying to ply people into doing some college work for him (her) about asians in american films. well, there's been a long two-way relationship at all levels, so i don't know if there's a wave or it's a peak before the trough of any choppy sea. certainly feels a little more international right now, but let's not get too far ahead of ourselves and think this is anything more than film folk doing what they'll doubtless do naturally, it just happens to be standing out a little more to us with our eyes a little more specifically focussed on the japanese stuff.

Don said...

Don't forget tokusatsu expert and longtime resident Norman England's The Idol. He also mentioned he's got a documentary at the editing stage that should excite a hell of a lot of people.

Tokyograph said...

Blind Beast? I thought Schroeder was doing Inju.

In any case, I think it's really interesting that there's so much France-Japan work these days. I haven't actually seen any of it yet, though. What's a good starting point?

Jason Gray said...

Tokyograph -- I believe you're right. There's an interview from October here. Maybe you could start with Limosin's Tokyo Eyes from 1998. I believe it's available on Jaman.

Don, I was focussing on feature films, but he is indeed one of the few (only?) foreigners on the tokusatsu side of things. There's also Florian Perret who's been involved with 3DCG at Studio 4C and Gonzo.

tokyograph said...

Thanks for the suggestion! I've added it to my rental list.

Anonymous said...

Nooooo!
Tokyograph is correct.It's INJU陰獣,Not MOUJU盲獣!
Somehow I've been always thinking "Blind Beast" was the English title of INJU(which was visualized by Katoh Tai,not Masumura)
Apology for the errors,everyone.

Here's Japanse report on French Inju,starring Benoit Magimel.
http://www.sponichi.co.jp/entertainment/news/2007/11/23/05.html

Aceface

Anonymous said...

From Shhintaro Ishihara:Speaking of Nouvelle Vaugue and Moi.

 かくいう私にも同じ体験があって、昔フランスがプロデュースしての五ケ国合作のオムニバス映画「二十歳の恋」が制作された時、日本版の監督をした私が総元締めのトリュフォーに会った折、彼が昔見た日本の現代映画作品に影響を受けいわゆるヌーベル・ヴァーグのタッチを思いついたと告白し、よく聞いたらそれは私の原作脚本、中平康監督の、弟裕次郎と津川雅彦のデビュー作「狂った果実」だった。自惚れでなく、かねがねあの作品はあの時代を代表する傑作の一つと思っていたが、それを後のヌーベル・ヴァーグの巨匠トリュフォーが保証してくれたというのは欣快だった。

Now our man in the two towers of Shinjyuku has problems with Franchophones,but there was a time that he too had contributed in this small chapter of Franco/Japan cultural exchange.

I have with me a pile of DVDs that I intend to see it after I retire and one of them is exiled merican film maker Joseph Losey's "La Truite"(1982)with Isabelle Huppert.Made completely with French production and filmed in Tokyo.I might watch it this week.

Aceface

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